Quick Look: Minibosses Perform “Double Dragon” & “Dr. Mario” in 3D


Since 2000, Minibosses has been making huge headway within the VGM scene for their innovative covers, dynamic instrumentation, and an overall awesome presence when performing on-stage. While many would consider these guys a progressive rock band, the Minibosses have continuously pushed the limits of video game music covers (with an award to show for it!). Today’s Quick Look features the Minibosses performing their fantastic interpretation of “Double Dragon” and “Dr. Mario” at this year’s MAGFest X. If you’re feeling naughty, you can download this video and watch it in 3D for the cool effects. If not, well… this video is great all the same.  Peep more of the Minibosses’ eclectic sounds on Bandcamp.

Sound Bytes: Blake Robinson’s “Morrowind Theme” Orchestra Arrangement


If you haven’t heard the orchestral works of Blake Robinson, you’re in for a special treat. Self-described as a “nerd for hire”, Blake Robinson may be seen as a true jack-of-all-trades. While maintaining his chief occupation as a game developer at both Electronic Arts and Outplay Entertainment, Mr. Robinson spends most of his free time freelance composing for several high-profile indie games. However, we just couldn’t resist not showing you how utterly epic his work can truly be.

We would say that Mr. Robinson has a history of taking old video game compositions and making spectacular orchestral arrangements. The Elder Scrolls III: Morrowind theme is the first time the modern Elder Scrolls series was heard, and to anyone familiar with the game it is particularly memorable. Jeremy Soule’s original title theme vivaciously captures the spirit of adventure that immerses you a foreign world the moment you enter the game. Over the years, the theme has gone through a number of changes, some of the most drastic of which can be heard in the Skyrim version, but to this day the Morrowind version still stands on it’s own. This arrangement captures that atmosphere and feeling that just hasn’t been felt again since the original Morrowind, despite how amazing The Elder Scrolls V: Skyrim’s soundtrack is.

You can preview more of his work on The Blake Robinson Synthetic Orchestra, a newly formed collection of his orchestral music, covers, and remixes. We truly applaud Mr. Robinson for going above and beyond most of his orchestrated pieces and invite you to experience the awe of such an extraordinary piece.

 

Sound Bytes is a recent feature to ThaSauce that focuses on showcasing exemplary VGM songs that we find to be more than exceptional. Want to send us some songs that can be featured on Sound Bytes? Shoot an e-mail to [email protected]

ThaSauce Wrap-Up: This Week in Review


At the end of the week, ThaSauce Wrap-Up feature posts bite-sized news recaps just in case you missed any juicy articles. Have any interesting video game music-related stories that you want us to look into? Are you an artist, composer, or remixer that wants keep in touch? Shoot an e-mail to [email protected] If you’re looking for more ways to get your VGM fix, be sure to follow us on Tumblr or like us on Facebook as well.

  • OverCoat Releases New Single “Phantom Bracelet”: Arecibo Radio late-night DJ extraordinaire and remixer Scott “OverCoat” Porter has just released a new single in honor of… MAGFest wristbands? Either way, the verdict is in: “Phantom Bracelet” truly delivers.
  • The Legend of Zelda: Symphony of the Goddesses Tour 2012 Continues: Nintendo and Zelda fans, rejoice! Nintendo has announced the schedule of dates and locations for its 2012 Legend of Zelda: Symphony of the Goddesses concert tour, featuring an enchanting progression of music and video footage through the course of The Legend of Zelda‘s history.
  • MAGFest Recap: OverClocked ReMix Live @ MAGFest X: Even in the midst of exciting news such as potential website redesign and official project updates at the OverClocked ReMix Panel, OCR Live comes together to play a brand new arrangement of Donkey Kong Country’s “Aquatic Ambiance” with live instrumentals.
  • OverClocked ReMix Unsung Heroes Tribute Just Released: OverClocked ReMix has just released their thirty-second official arrangement album in tribute to the unsung heroes of role-playing games throughout the years. Unsung Heroes features many overlooked titles such as The 7th Saga, Ghouls’n Ghosts, The Lord of the Rings: Volume 1, Suikoden, and Persona 3.
  • Quick Look: The OneUps @ MAGFest X in HD: Want to relive one of the best experiences at MAGFest X through a high-quality OneUps show with four different cameras, all in 1080p? The Unofficial PAX Community DVD team have once again delivered to present a full, uncut performance of The OneUps for your viewing pleasure.
  • And the Winner Is… Remix64’s Remixer of the Year 2011 Awarded: Remix64′s Remixer of the Year Awards 2011 was hosted today on SceneSat Radio and the results are in! We would like to congratulate those who made it on the lists this year and the winners of each award. Voting for Remixer of the Year 2012 has also commenced for next year.

Quick Look: The OneUps @ MAGFest X in HD


Think you know video game music? Think again. Since the band’s inception in 2000, The OneUps have long been praised for their diverse approach to VGM as a specific genre. At ThaSauce, we really do appreciate and applaud those who have quite a persistent determination to push past their own boundaries of musicianship. As a musical collective that continuously changes up the VGM scene through a variety of experimental styles, we would definitely say that this band truly delivers.

The Unofficial PAX Community DVD team have come together to deliver what we think is one of the best OneUps performances to date. Did you happen to miss the OneUps at this year’s MAGFest X? With consistently stunning multi-angle shots and such high-quality camera work, you really do feel like you are right there in the front row. Special thanks to the Unofficial PAX Community DVD guys and the OneUps for allowing us to relive one of the best experiences of MAGFest!

ThaSauce’s One Hour Compos Every Thursday @ 9 PM EST


With the excitement of MAGFest winding down, we would like to make a formal reminder that ThaSauce holds a weekly compo every Thursday at 6 PM PST/9 EST by none other than our very own resident awesome lady, starla. We cannot stress enough that these compos are for everybody; the goal of One Hour Compos is to improve songwriting skills with these weekly hourly exercises as everyone is encouraged to participate and bring friends. Discussion is held in #thasauce on irc.esper.net during the compo, but we also listen to the completed songs as a group. If you do not wish to participate in the chat, you may still submit a song via the website.

“Well… what in the world is a compo?”

Compo is a slang word for “composition competition” commonly used by the arrangement community. It is derived from the demoscene competitions by the same name. Contrary to this, compos are less of a competition and more of an exercise in composition abilities. Each compo has it’s own unique format and guidelines and while some are as short as 1 hour, others can last anywhere from a month, to a few months. It’s important to remember that the primary purpose of compos are to hone your skills and abilities by working within, sometimes very constricting, guidelines. These techniques have proven essential to the growth of countless musicians.

A (very) brief history of compos as related to ThaSauce

There has always been a need for musicians in our community to gather and practice. Even before our community, trackers arranged compos of their own and created tiny limited-sample MOD files with amazing results. Composition and technique has always been a priority in compos over wowing people with instrumentation. With so many random compos across communities, it was always a bit difficult knowing when they were, where they were and if they were actually going on. Once we got everyone in the right place, normally an IRC channel, we would write a song either based on a theme, free for all or maybe even remix based on a provided source tune.  Once completed, we would email all the results to a participant that had webspace who would archive the compo and host it for download, then participants would have to manually download the compo pack and finally listen to them in order. We would do this often in #ocremix with a group of motivated musicians, eager to hone their skill.

The creative progression of ThaSauce’s One Hour Compo, as told by starla:

“As always I do what I do out of passion. I don’t mean to nag or annoy. I encourage others to reach their full potential, and to stop putting off to tomorrow what you can start today. You can’t wake up one day and be an accomplished musician without taking that first step and starting on your journey.”

One Hour Compo is typically an “all gear” compo, which means you can use any instruments at your disposal, as long as you submit an mp3 at the end.  OHC is also themed: more often than not a text theme is provided, from time to time a picture or other media can be used to stimulate the artists’ creativity. All in all, One Hours Compos really attempts to push you as a musician, as the time constraint forces people to work outside of their comfort zone and come up with new streamlined processes that ultimately come to benefit their musicianship. 171 compos later, we are still going strong. Please come join us tomorrow in an effort to challenge yourself as a musician or even to just preview what ThaSauce’s OHC can offer — we will definitely welcome you with open arms.

 

In Retrospect: Mirby’s Year in ReView

As another year comes into place and the one we just finished slowly slinks into the past, so too comes the time when Mirby must stop being lazy and start writing articles again instead of letting the release dates of albums fade into the obscuring mists of time. With a new year comes new articles, and there’s no better article to bring it in than a retrospective of 2011. A lot of things happened this year, even more than in 2010, so I’ll keep it brief. And so, here begins the retrospective.

ReMix: ThaSauce kicked things off on January 4 with three mixes; two from the Sonic games and one from Super Metroid. OverClocked ReMix posted their first mix of 2011 on the following day; this one was a mellow rock track from ilp0, remixing “Gold Mine” from the SNES game Wild Guns. With the mixpost came a call from djpretzel. “If there’s one theme I’d like to personally endorse for 2011, it’s ReMixing unmixed games.” We’ll see if his endorsement held up through the year. And then, on the tenth of January, the world got… The Answer.

THE ANSWER: An Armored Core Tribute Album by Mattias Häggström Gerdt

No, not the self-help book, the Armored Core Tribute Album. Mattias Häggström Gerdt headed up this album, featuring Jillian Aversa and DragonAvenger as well. And then, on January 27th, SEGA called OCR out for having zero SEGA Pico remixes.

On February 3, OCR posted their first Pico remix courtesy of zircon; it was a mellow mix from Tails and the Music Maker. Just four days later, Heroes vs. Villains was released. Pitting the Bad Dudes against OCR regulars, it took hero themes and villain themes from various franchises; OCR took the heroes and Bad Dudes took the villains. The result was a delight; the pairs of tracks work well on their own, but combined creates a melodious melee, one where each track plays off its companion. Near the end of the month, another original soundtrack was released on OCR, this one for Missile Master Episode 1: Invasion; it was composed by Kunal, one of the Bad Dudes. Fitting for the other album release that month.

March started off immediately, with the long-awaited Pokémon album, The Missingno Tracks, dropping on the first. Paying tribute to music from the series so far (except for the then-unreleased Black/White), it was two discs of remixes ranging various styles. On the 25th, OCR released another pure Joshua Morse album, this one for the Mega Man series. Entitled The Robot Museum, it took a single track from each of the first 8 games (along with the Data Base Accessed theme from Mega Man and Bass), and got the JM touch applied. Finally, on March 29, Benjamin Briggs released his Attention Deficit EP, an eclectic mix of styles all containing his chippy touch.

April started off with another OCR prank, this time a “reveal” of the full year’s album lineups, totaling thirty-eight new albums. Some gems included “Hers – Female Character Themes by Female Artists,” “Up, Up, Down, Down Lower – Porn Grooves of Game Tunes,” and “Beyond the Beyond – Beyond the Beyond the Beyond,” among others. Alongside the revelation of all of OCR’s albums for 2011, ThaSauce released the soundtrack for Fasto the Speedhog 2. The long-awaited follow-up to the original Fasto the Speedhog, it blew away listeners, many preferring it to the soundtrack for Sonic 4: Episode 1. In more realistic news, Sonic the Hedgehog: The Sound of Speed was released on the twelfth, completing the trilogy of Sonic albums on OCR. Though it was a single disc, the entire album was full of gems. Or should I say… emeralds?

May was a relatively quiet month. Support OCR Month, which usually happened in April, got off to a late start and carried into May. Though the goal was set at $5,000, people went abobe and beyond to bring the total for 2011 to an amazing $7,514! Incredible rally from supporters to get that much to OCR in just a month. halc released his Pixel Perfect LP on the 16th, which fit perfectly with his EP from the previous year. Together, the two create a complete album, and a good one too!

Malcos releasing his It Started in 2012 album in June. Equal parts orchestral and electronic, the album takes the listener on a quest as it details future events that will occur in a universe separate from our own. And while not strictly music-related, everyone’s favorite person to blame Liontamer AKA Black Dynamite and his long-time girlfriend Paige became engaged this month as well. WillRock also released his own EP on the 19th, entitled Refractions of a Dream. Loosely inspired by Lewis Carroll’s classic “Alice in Wonderland” and possibly also “Through the Looking Glass,” the album is comprised of some pretty trippy songs. Seriously, I blame this album for all my sleeping problems (not really). Also of note was the general public’s introduction to the OverClocked Plaid Muffins, through the mixpost of “Ska Buffet (All You Can Eat: Clean Version)”, a clean cut of their track on the upcoming Milky Way Wishes album.

July may not have kicked off with a “Four for the Fourth” as in 2010, but it give us NiGHTS: Lucid Dreaming on the fifth. Worked on with love for the game, Stevo Bortz, aka Level 99 or he of the awesome beard, the track featured two discs that took the listener on a journey through the game. Except guided by music instead of some flying jester. This was also the first album I reviewed without being familiar with the source material; doesn’t really matter, as the album is fantastic either way. Also in July, YouTube favorite FamilyJules7x began a hiatus from his weekly game music guitar covers; after a year of releasing a song weekly, he felt the need to relax. He ended Year 1 with a cover of the Super Mario 64 Credits theme.

August happened to be Metroid’s 25th anniversary, so a bunch of Metroid music was released. First it was Harmony of a Hunter on the 7th, and then Theophany’s Crystal Flash EP later that same day.Shnabubula and a friend also made a tribute song for the anniversary along with a video, which was later featured on IGN. The song itself was posted on the 12th. On August 14, Mazedude revealed his self-proclaimed opus American Pixels, the long awaited follow-up to 2006’s American Album. It will remix a bunch of songs from American composers, including Jake Kaufman and Danny Baranowsky. August 15th brought the release of Amphibious’s debut EP, Oceans. A soothing aural trip into the ocean, through its deeps, and back out once more, it was an excellent effort. Nario released an EP on the 19th, entitled More of Me. A chippy mix of a bunch of different songs, it’s a rather nice listen on the whole.

Then in September, Danimal Cannon released a video. It was a rather hilarious video (explicit too, I think), but it led to a bunch of people calling him out as racist and homophobic. The best part about all the hate? The video itself was making fun of rap, and thus was created specifically to mock those who’d complain. On the 7th, an album that often had questions about its status asked was finally released. No, it was not FFV: The Fabled Warriors – WATER. Instead, it was Mega Man 9: Back in Blue. The song arranged the majority of the soundtrack. Unfortunately, all the songs on a Mega Man soundtrack are rather integral, especially the stage themes. And this album completely neglected to have a Concrete Man remix. Sure, there were two Jewel Man mixes, but no Concrete Man.

This was even referenced in the album’s trailer, and remedied shortly thereafter with Rockin’ Sockin’ Cinder Blockin’ – A Concrete Man Remix EP. Spurred on by this grave injustice to the most concrete of ‘bots, DarkeSword arranged an emergency mixing round. Calling on all mixers via the forums, DarkeSword challenged everyone to make a mix in one week’s time. The album was posted a week thereafter, album art and all. A great tragedy was indeed averted (and the also neglected Castle of Evil got a mix from Jason Covenant, formerly known as Prophecy.) Jimmy Hinson, aka Big Giant Circles, also released a chiptune album on the 12th, entitled Impostor Nostalgia, with virt’s Bloodrayne: Betrayal Official Soundtrack released through Ubiktune the following day. Shnabubula also released his Game Genie album, a marvelous collection of original songs. The Binding of Isaac was also released at the end of September, with a soundtrack by Danny Baranowsky. The style was similar to his Super Meat Boy soundtrack, which is to say it, too, was excellent.

October was nowhere near as busy as the previous month (though that was mostly due to Concrete Man’s omission), but it was a good month nonetheless. The tenth heralded the release of Super Dodge Ball: Around the World, another of OCR’s albums that had been in the works for several years. It’s never planned that way, but there’s a few where that has happened (such as 2010’s Threshold of a Dream or 2009’sSummoning of Spirits). A lot of great tracks were to be found here, including two mixes of the Versus Play theme (appropriate for the 2-player motif of versus play itself). And on Halloween, the oft-loved Castlevania mix “Juese Belmont” finally made it to OCR. Albeit it was by Shael Riley and the Double Ice Backfire (who covered the song as part of the Kickstarter campaign for their album “Ultimate Songs from the Pit”) and not the original Disk Mastah Smokabitch. Longtime OCR members may say otherwise though, and for good reason.

November kicked off with “Cover Your Light,” a remix of the main theme of the Commodore 64 game Deflektor. OCR had been holding it for the German hard/glam rock band Zero Division since August of 2010, wishing it to be released after their latest album was released. However, since that took longer than expected, this mix sat around for 15 months. It’s fantastic, and sounds just like it was ripped from the ’80s. The 6th heralded the release of Ultimate Songs from the Pit, the album of which the Kickstarter campaign that produced the “Juese Belmont” mix mentioned above was for. I hope that made sense…

The first R:TS mix of the year saw release as an OCReMix on the 17th, giving JH Sounds his first mixpost and Cyril the Wolf another one; the mix is an emotional acoustic rendition of Final Zone from Sonic 1, entitled “Finality (Radio Edit).” It’s an edit from JH Sounds’s album Hedgehog Hysteria, releaed in 2010. On the day of release for the latest Zelda game also came a surprise album: 25YEARLEGEND: A Legend of Zelda Indie Game Composer Tribute. Released on the 22nd, the album took composers of various indie games and mixed them with songs from across the entire franchise and its 25 years of captivating minds of all ages.

Roots by Danimal Cannon

Danimal Cannon started December off with the release of Roots, a collection of chiptune originals. He was even nice enough to include the project files so that others could experiment with them. OCR released BadAss: Boss Themes on the 6th; this album was just boss themes from a bunch of different games, mostly rock and metal but with a great orchestral track and a couple others too. This is also only Volume 1; the Volume 2 thread’s already up and running in the projects board. The Bad Dudes released another album on the 20th, the Metroid Arrange 25th Anniversary Album. I’m working on getting a copy of this to review with the other two for a Metroid Triple Review, don’t worry. Also released on the 20th was the long-awaited Wild Arms: ARMed and DANGerous. This album took the the soundtrack of Wild Arms and arranged it in a multitude of styles, all of which worked wonderfully for them. And on Christmas, ProtoDome released his album BLUESCREEN, a follow-up to June’s BLUENOISE. This begs the question… is this the dangerous formula he saves Christmas with? Possibly, but it’s awesome regardless of that. As for the theme DJP set at the year’s start… I think that with all the albums released, it was more than met.

December also happened to be Reviews Month at OCR. The premise this year? OA had attained the Power of the ReMix and was poised to destroy OCR. Thus, King djpretzel and his ReMix knights had to review mixes to deal damage. Each remix dealt 50 damage to him, but each remix OA wrote healed 50 HP. Rexy and Bahamut annihilated OA, with a lot of help from many other members. However, that was but OA’s first form; the ground began to rumble… and then his true form awoke. A tentacled beast bearing the facial likenesses of other judges (including Jooj-cat) revealed itself and challenged the community to review 200 tracks to finish him off. Everyone kept doing their best, and I even got involved, doing 16 reviews a day on the 23rd and 24th, and then 16 more on the morning of Christmas. By Christmas night in my time zone, Final OA was down to needing a mere 20 reviews to finish him off. So I took the initiative and reviewed 20 more songs (bringing my total to 36 for that day alone; 78 total) to finish him. What were the spoils of battle, you ask? Well for every review written, a raffle ticket would be entered to win one of three $35 eStarland gift certificates or one of three custom avatars on the OCR forums. Rexy finished the month with a grand total of 200 reviews, and Bahamut with 118. It was a noble effort from all!

And now we find ourselves in 2012. The final tallies for the previous year are 206 mixposts and twelve albums on OCR, and thirty-nine mixposts for ReMix: ThaSauce. That’s twenty-one more songs and four more albums than 2010 for OCR, and nineteen fewer for R:TS. Regardless of that, there’s plenty more to come, just as there is plenty I’ve missed (I know for a fact there’s stuff I haven’t mentioned here). If you know of something else great from 2011 that wasn’t mentioned here, just post it in a comment! It was a wondrous year for the community, and I know that 2012 will be even better! So until next time, game on!

ThaSauce Wrap-Up: This Week in Review

At the end of the week, ThaSauce Wrap-Up feature posts bite-sized news recaps just in case you missed any juicy articles. Have any interesting video game music-related stories that you want us to look into? Are you a VGM artist, composer, or remixer that wants keep in touch? Shoot an e-mail to [email protected] 

  • Quick Look: Laura Shigihara on Video Game Music: This week’s Quick Look involves one of our favorite VGM composers. Laura Shigihara shares her experiences as a professional video game music composer as well as early inspirations for her career choices.
  • MAGFest X Recap: EARTHBOUND PAPAS Q&A Interview: Ever wonder what Nobuo Uematsu and the rest of EBPs’ favorite foods and inspirations are or how this vivacious group of professional game composers even came together? Here, we take a glimpse into the lives of the sensational EARTHBOUND PAPAS during their Sunday morning panel at MAGFest
  • Indie Game: The Movie Out for Preorder Now: Featuring compelling stories from a myriad of top indie game designers from Super Meat Boy to FEZ and Braid, the 2012 Sundance Film Festival Official Selection Indie Game: The Movie is now available for preorder on DVD and digital copy.

Quick Look: Laura Shigihara on Video Game Music

Here at ThaSauce, we love Laura Shigihara‘s music. No seriously, we absolutely adore her. Apart from being quite the busy lady nowadays, this acclaimed Plants vs. Zombies composer takes time out of her involved schedule to post intriguing personal vlogs on her YouTube channel, like bathing an elephant (what?!) and raving about her love for tea. This time around, Laura Shigihara comes up with a couple of reasons why she loves video game music. Highlights of this video include Ms. Shigihara’s  inspirations for choosing to create video game music as a career and her experiences with early varying genres of music within video games.

Coupled with the fact that Laura Shigihara’s voice is as endearing as a dozen fluffy kittens, this video is quite inspirational for aspiring professional VGM composers everywhere.

The ‘Quick Look’ series at ThaSauce covers quick videos and  featured songs to introduce emerging artists and musical twists within the VGM scene. Have you heard or seen any interesting VGM videos on YouTube lately? Shoot me an e-mail at [email protected]

 

ThaSauce Shows Solidarity with SOPA/PIPA Protests

To show support for the last bastion of freedom of expression, economic opportunity, and technological innovations that the Internet enables, ThaSauce will be blacking out this Wednesday, January 18th from 8 am-8 pm EST. No, we do not think that ThaSauce receives millions of views per day, but that does not stop us from trying to raise awareness around the possible debilitating implications of the Internet if the Senate’s Protect IP Act or the House’s Stop Online Piracy Act come to pass. Over fifty different websites that many of us utilize daily will also black out on January 18th, including such sites as Wikipedia and Reddit to date. Other projects that have joined in solidarity also include Mozilla, WordPress, and Minecraft. Our staff at ThaSauce cannot stress the importance of action: if we do nothing, the complete censorship of the Internet will be inevitable.

You can learn more about the Stop Online Piracy Act and PROTECT IP Act here and here. There is also an available list of companies and websites that have shown support against PIPA and SOPA. To keep informed, you can watch a live video stream of the House hearing where multiple people from the community will be testifying SOPA/PIPA on January 18th. Please help us raise awareness against this despicable attempt of Internet censorship and take action.

MAGFest X Kicks Off: ThaSauce Panel Announcement

As we say our sayonaras to 2011 and wake up groggily from massive hangovers to greet the new year in turn, one of the biggest VGM festivals of the year has arrived to hit Maryland in full force! The 10th Annual Music and Gaming Festival, also known as MAGFest X, has commenced today at Gaylord National Hotel and Convention Center with panels and Q&As from big-wigs such as OverClocked ReMix, Happy Video Game Nerd, Robert V. Aldrich, Ellen McLain (GLaDOS!), Blue Core Studios, and more! Music performances are also top-notch this year, with special appearances from Metroid Metal, The OneUps, Random Encounter, and ultimate Final Fantasy composer Nobuo Uematsu with his new band EARTHBOUND PAPAS.

ThaSauce Meet Up
FRIDAY, 1/6, 10AM-12PM – Panels 3

ThaSauce is a news portal for the video game remix community. Additionally ThaSauce features a “compo” system to encourage users to hone their composition skills in a friendly competitive environment as well as hundreds of video game arrangements not available anywhere else. This year they will be talking about some exciting new features that will hopefully change the way you experience the video game remix scene.

As if shameless self-promotion isn’t enough, all of us at ThaSauce will be making an appearance at our own exclusive panel at MAGFest  X on Friday, January 6th! The panel will showcase some of the finer aspects of ThaSauce, ReMix:ThaSauce, and Compo:ThaSauce, as well as what we have in store for the future of ThaSauce! WE CAN BARELY CONTAIN OURSELVES. Have some questions, concerns, or suggestions for us? Come say hello to some of the best, budding composers of the VGM community and to the ThaSauce staff at the panel. We promise we don’t bite.

If you haven’t had a chance to experience the awesomeness of MAGFest and/or keep putting off this opportunity for VGM overload, tickets at available at the door as single-day passes for $40 or full four-day passes for $55. While MAGFest X will conclude on Sunday, January 8th, a full schedule is up and available for your viewing pleasure.  Did we mention that there’s a giant arcade? If you absolutely can’t make it to what may be one of the best events of the year, we will be posting updates on our Tumblr for all your MAGFest needs.