Triple Review!!! Benjamin Briggs, ProtoDome, and WillRock!

She’s done the normal single review, she’s possibly created the double review… what will Taylor Brown do next to top herself? Nothing but the logical evolution of this series. Much like how Pokémon Black and White introduced Triple Battles to the series, I shall now attempt to fuse the two into a new thing. And there’s nothing else to call it but… THE TRIPLE REVIEW!! And no, this is not just a hasty way for me to clear my backlog. Maybe. Regardless, in this edition I shall review Benjamin Brigg‘s Attention Deficit EP, released much earlier this year; ProtoDome‘s BLUENOISE, also from earlier this year; and WillRock‘s Refraction of a Dream. All three of these come from wacky people well-known around the community who are quite talented in their musical stylings, and much like fine wine have only improved with age. So, without further ado, I present to you… THE TRIPLE REVIEW!! Woohoo!


1. Too Soon – 4:06
Starts off pretty nice… nice rhythm. 0:17 brings in some more melodic parts. At 0:32, it all changes, and by 0:40 the main meat of the track kicks in. 0:55 brings a brief breakdown. 1:20 or so brings in a change with Mario fireball sounds keeping rhythm. Nice idea there, chth. It starts to come back together at about 1:58. Chippiness at around 2:20. The fireballs fade away at 2:30 or so. Another breakdown at 2:40 or so, followed by another buildup. 3:18 brings in a pretty cool effect that keeps the track going. Much like the title of the album, these instruments keep changing as rapidly as an ADHD kid’s focus of attention. Ends with racecar sounds.
2. Benji Needs A Lawyer – 3:47
OBJECTION! Oh wait, my bad. Starts off with the basic rhythm, and 0:16 brings in another layer intermittently until about 0:34 when another layer is added. 1:04 brings in the bass. 1:20 brings it all together. This is a good track; makes me start to move and groove. 1:48 brings in some nice chipchimes. Remember, I’m now using chip- as a prefix. Nice mixup at around the 2:10 mark, followed by a slight breakdown and solo at about 2:44. Chippy awesomeness right here. Breaks down at about 3:15 in preparation for the end. At 3:35, the end is definitely near.
3. Troll 4 Life – 3:51
The previous track flows right into this one. Nice chippy effects at 0:35 or so. Even cooler ones at 1:04. This track seems to be just a rhythm with random sound effects, which is fine by me. It proves me wrong at 1:31 with some melody. Johnny Bravo sampling at the 2 minute mark! Okay, this track is now about 500% more awesome. Solo at 2:32. Reminds me of the old Sonic tunes a bit. It starts to fade out at 3:20. Beavis and Butthead sampling at 3:40.
4. I Can Has This Dance? – 3:55
No, you can no has this dance, chth. But you can has a review! Great usage of sound effects again; in this case, it sounds like the Mario 3 death sounds, both the enemy and Mario’s sounds. The main melody slowly builds in the background until 1:07 when it explodes in awesomeness. 1:40 brings in another layer of instrumentation, and 1:48 throws one more on top. It’s a beautiful haunting melody, that almost reminds me of Lavender Town from the original Pokémon games. 3:04 brings a gradual fade, with the sounds of Mario coming back to the forefront.
5. Love The Game – 3:51
Starts out awesomely. Nice ambient howl-thing at about 0:24. Think I heard this same instrument in VVVVVV’s soundtrack. Breakdown at 0:54. Chipchimes in the background sound great. It all explodes at 1:32, bringing a much fuller soundscape. Slight breakdown at about 2:08. Buildup at 2:18, which explodes at 2:30 with singing. Is this chth himself? I think it is. Not too shabby, even though I think I heard a faint hint of autotune. More howl at 3:05. This heralds the final part of the song, which starts to fade out at 3:34.
6. I’m Nobody (feat. Cornelius Rawness) – 2:54
And now for the final track of this album, which starts out with rough and muffled chiprhythms. At about 0:20, singing comes in. It’s pretty good; I’m enjoying it, and the effects help it fit right into the atmosphere of the track. Great writing; not many songs use “codependency” in their lyrics. The main music is pretty good too; well done. 1:46 brings in Cornelius’ part. Nice usage of the Sonic sound effects. 2:24 brings the chorus back. “I’m nobody, I’m nobody, I’m nobody… at all…” Finale at 2:46. Great work, Ben!


1. Hello World. – 1:07
Atmospheric!! More atmosphere at 0:31. Nice finale at 0:57.
2. 9am Skies. – 2:21
Did I just start listening to an Animal Crossing song? 0:15 shows that I didn’t, with a mix of Proto’s chip mastery and jazz stylings. I don’t think anyone else could do chipjazz quite like ProtoDome. Nice melody. Slight breakdown at 1:18, and another 1:27. This is reminding of Pilotwings now. Another solo at 1:51. The end is near at 2:07.
3. Blueberry Jam! – 2:17
Nice rhythm to kick it off. 0:17 brings in more music. He really is jamming right here. No sign of blueberries, but this is a nice jam. 0:43 or so brings in a breakdown, which ends at 0:57. The chippiness of this song is epic. A change-up comes at 1:26 or so. Breakdown at 1:48 or so which heralds the end.
4. Bitmap_Blues. – 1:56
How many songs do you know of that use underscores in their titling? I can only think of this one and a few on Reanimation. Ooh, jazzy! This is soooooo 8-bit, I’m loving it. Nice work at 0:36. I want to play an NES game with this music. And just pause it so the music plays indefinitely. Nice solo at 1:20. The end is in sight at about 1:35.
5. Heat Death – 2:54
IT BURNS!! IT BURNS SO GOOD! If I died in a fire, this is what I’d want to hear in my last moments of consciousness. Nice job setting up the atmosphere. 0:30 brings in chippified vocal samples. Breakdown at about 0:58. This is such an ethereal track, it’s beautiful. Chipvox comes in again at 1:24. Beautiful breakdown at about 1:48. Changeup at 2:04, which seems to bring in more real instrumentation. Chips return at 2:34 to bring in the end.
6. Her #0000ff Eyes… – 2:54
I think that’s… blue? Bumpin’ bassline, Blake! Chips at 0:24. Slight breakdown at 0:55 or so. Bassline remains quite prominent, and a nice key solo here. More chippiness at 1:14. Nice solo at about 1:38. This song has me movin’ around while reviewing. The rhythm is infectious. 2:29 brings about the finale of the track.
7. Zero-G Lemonade. – 2:09
And now for the finale of the album. How would Zero-G Lemonade even work? Would you float around with it and drink the suspended lemonade particles? Ahem, back to the review. Nice instrumentation in this track. 0:44 brings in a vocal sample stating the track’s name. Hard to hear but it’s there. Nice piano parts interspersed throughout this song. 1:43 replays the chipvox. 1:55 heralds the end of the song, and thus the album.


1. Fatigued – 1:42
Ooh, ambient. I feel fatigued just listening. 0:27 brings in guitar reminiscent of Pink Floyd. Or at least, that’s how it sounds playing off the background music. Great work here, Will! 1:14 ends the guitar for a changeup that presumably sets the stage for the rest of the album.
2. Down The Rabbit-Hole – 2:24
Oooh, nice bassline. Nice chimes at 0:09. I like the increasing speed of the chimes, and how they stop at 0:30 for more ambience. OH GOD I’M FALLING INTO A HOLE!! A HOLE WITH WEIRD AMBIENT SOUNDS AND STUFF! Also weird voices at 1:09. This song is extremely weird; the visuals on my media player aren’t helping. I really feel like I just fell into another realm, one that is far different than our own. 2:08 brings in breathing. Not nearly as creepy as effects I’ve used before.
3. Pool Of Tears – 2:11
This album flows cohesively. Nice chimes and acoustic guitar. I’m glad that absurdity is over, fun as it was. Electric guitar at 0:33. Speed increases at 1:15 slightly before stopping seconds later. Bass picks up at 1:28. Nice rhythm at 1:48 that slows down as quickly as it starts. No doubt prepping the next track.
4. The Garden Waltz – 0:53
Kicks off immediately with what could be used as a game over effect. Waltz rhythm at 0:11. I never thought I’d hear Will make a waltz but hey. Should’ve been an epic guitar waltz. It ends suddenly at about 0:35.
5. The Caterpillar – 1:24
Bassline at 0:15. Building guitar that stops at 0:35 or so. Nice woodwind at 0:48 or so. Reminds me of Easton from the original Mario Land. The end comes quickly at about 1:16.
6. Tulgey Wood – 1:44
It flows right into this track that begins with piano. Slow, somber piano. It stops at 0:30 and replaces it with intermittent effects. Piano returns at 0:54 with a fuller soundscape. More effects at 1:22, straight from the ’80s. Chimes at 1:30 or so.
7. Lost – 1:44
It’s birdcussion! Piano kicks in almost right away with drums. Awesome guitar at 0:26 or so. Piano comes in at about 0:54, with woodwind shortly after. It ends at 1:40.
8. Don’t Step On The Mone Raths – 1:24
Will, it’s spelled “mome raths.” Eh, no matter. Trippy effect here. Is this the sound mome raths make when you step on them. This track is just full of ambience. It’s well done, don’t get me wrong. But there’s a lot of it.
9. Refractions Of A Dream – 2:06
Title track time!! This song is fuller than the previous, complete with synth rhythm almost right at the start. Guitar at 0:46. Guitar cuts out at 1:22 or so, only to be replaced by some more ambience. It slows down at 1:40 with more ambient sound effects. The last seconds set up the last track.
10. The Queen Of Hearts – 4:11
Nice rhythm to kick it off! Dramatic beat at 0:22. Chimes at to the rhythm, and 0:45 brings in chippy awesomeness!! Slight breakdown of the chippiness at 1:15 or so, only to return at 1:28 or so. This is a weird song, as it seems to end at 1:58, only to pick right back up. Screech at 2:14 brings the track to a halt. Guitar screech at 2:43. More trippiness follows. Honestly, I have no idea what is going on, but I’m a little scared. Seriously, great mind-trick performed by this track. Easton-esque woodwind rhythm comes in for a second, only to be replaced by ticking, and more ominous ambience. It ends at 4:08.

That… Well, I think the whole triple review thing worked out well. It was only 23 tracks, taking up a total playtime of less than an hour. First off, Ben’s album. I enjoyed it immensely, and it was a really fun listen. I hope that he comes out with more stuff like this in the future, because I loved it that much. As for Proto’s album BLUENOISE, it was more of the same from him. But that’s a very good thing, since it was full of really nice tracks that showcased his abilities with the chiptune style of music. Also, the track names were awesome. Lastly, Will’s album. It was… well, I’ll be blunt and say it was the weirdest album I have ever listened to, one I never thought I’d ever hear, and one that I don’t think will ever have anything even remotely similar to it. It really did mess with my mind a little, but you know what? That’s okay. The song titles obviously allude to Wonderland, and with that connection, I wouldn’t have it any other way! Excellent work, Will!
In conclusion, these three albums have been out for quite some time now, waiting to be heard, waiting to be reviewed. And it wasn’t until now that I decided I would review them. Now that I have listened to them and reviewed them, I’m happy that I did. All three showcase the artist’s talents. In Ben’s case, it’s paying homage to the classic games of yesteryear, when the technology on the system only allowed very few simultaneous sounds. For ProtoDome, it’s his talent to just keep creating wonderful music in styles he’s quite skilled with. And in Will’s case, it’s his talent to just create something off the wall, so outside the box it’s kilometres away. I think that’s what they use in Britain. Anyways, all three demonstrated that what they do, they do well. And it’s my sincere hope that they continue to do so in the future. I’ll be uploading new reviews every day this week, so stay tuned. And until next time, game on!!

The Very Best That No One Ever Was! The Missingno Tracks


1. Fishy – Game On (~Opening~ Demo) 0:19
Starts out with the Game Freak sound effects, and then rocks the main theme like mad!

2. Level 99 РThe Mighty Mighty Pok̩mon (~Opening~ Demo 2) 2:48
Starts out with Stevo’s signature guitar sound! Pretty rockin’ track from the start. 0:30 shows off some source usage. 1:08 brings a breakdown… and then it builds back up without missing a beat. 1:31 brings in a solo. Source resumes at 2:01. Stevo rocks this track right to the very end! YEAH!

3. halc – Shades of Red (Theme of Pallet Town) 3:11
I thought this was a remix album… not a soundtrack. Starts out with almost straight source usage, and 0:18 brings in the remix. halc keeps on improving his skills! 1:25 brings in some solo action. 1:44 slows it down and breaks it down. Source returns with some mixage at 1:54. Everything slows down at 2:30. It all starts to fade away at this point as well…

4. Jaroban, Matt Beckemeyer, Fishy, Sam Cooper, Vralia, Jocelyn Holst, DJ Krisp-E, Chris Stibrany – My Greatest Rival (Battle! Rival) 5:28
Oooh! Starts out pretty ominous sounding… Also, it didn’t take long to get to the requisite mega-collab. 0:13 brings in guitar, and 0:20 brings in an epic voiceover. 0:36 shows source chippiness. Vocal track? No worries, the lyrics are pretty well written, and also pretty funny. 1:25 brings in a backup vocal. That’s great… We’ll see who has the bigger Pokéballs! Best line ever. This makes Gold out to be a loser of sorts and Silver to be a pimp. Then again, Silver is Giovanni’s… err… don’t want to spoil that. 2:50 or so brings in the chorus. 3:22 brings a breakdown of sorts. Whip out your Pokéballs! 3:37 or so brings in a battle scene voiceover with classic sound effects. The lyrics don’t take themselves seriously at all… I love it. 4:20 brings the chorus back. 4:58 ends the song, and ambience starts until the end, with the epic voiceover too… What a hilarious track.

5. ProtoDome – Rain Prayer (Road to Viridian City – From Pallet ~ Guidepost ~ Road to Cerulean – From Mt. Moon) 2:42
Piano, eh? Proto’s still got it. But why isn’t he saving Christmas: The Dangerous Formula? Eh, no matter… 0:22 brings in some chippiness with the piano. What a mellow jazzy track… This is a really good track right here; I love it! 1:25 or so brings in a piano solo. 1:38 brings in a chippy solo. Everything really picks up at 2:04 or so. Everything fades away at 2:36.

6. prophetik – Viridian Vibe (Theme of Pewter City) 3:29
Ambience, eh? Saxophone at 0:16 or so. Some electronica comes in at 0:38 or so. This is a beautiful track right here… 1:24 brings in a solo of the wind instrument. Source resumes at 1:50. The electronic sound in the background works beautifully. It keeps the track together in a cohesive unit. More solo at 2:38 or so. The finale becomes evident at 2:58. Ambience returns at 3:10, and the sax fades out to the end.

7. Cerrax – Out of Antidote (Viridian Forest) 3:41
Eh, eh? Okay, I had to do that. 0:08 brings in source, with creepiness to boot. This is how this track should be done! After all, they say that the forest is a maze. Great work from Cerrax here. What an eerie track; fitting for this creepy forest. 1:06 brings in some more creepy ambience, and is followed by a solo. There’s even more creepiness at 1:30!! Everything slows down and calms down at 1:45 or so, but builds back up 10 seconds later. Another solo of sorts at 2:10, with a breakdown included. It slowly builds up to what is sure to be an epic finale. A hint of the end at 2:48. 3:04 brings a return of the norm, but with a hint of finality. 3:26 proves that the end is near, and it breaks down to the end.

8. ProtoDome, Level 99 – Hope to See You Again Soon… (Pokémon Center) 2:21
A mellow mix for a mellow source. With “duh duh duh nuh nuh”s included. Looks like Stevo opted for acoustic here, and Proto opted for his usual quirkiness. A breakdown at 1:20 or so. The piano in the background is beautiful. 1:50 brings a solo of sorts. Fades to end.

9. Fishy – Battle for the Badge [Battle (VS Gym Leader)] 4:10
Starts out calm, but 0:05 brings in some epic music. 0:16 shows the source in full rockin’ glory! 0:37 rocks it even harder. Distortion at 0:58. This is a phenomenal track right here… just what a remix of this source should be and more! It’s hard to review because it’s so awesome. I only want to listen and not type! Woe… Anywho, 1:57 kicks off the solo; can’t miss that now can we? 2:17 brings in more of the solo, and it sure sounds epic. Source begins to return at 3:00 or so. Still a bit of a solo here… that’s over a minute now. Slowdown at 3:29. Calm music until the end… One hell of a track there.

10. ProtoDome – On the Origin of Species (Evolution) 1:35
This title makes me laugh… well done, Proto. Well done. A mellow track for a simple source. Nice breakdowns and usage of Pokémon cries. Yes, I can tell they’re cries by the sound. Yes, I’m a nerd. No I don’t care. Think I heard a Magnemite in there… Very well done, and very calm. Nice work. Ends with the classic finished sound.

11. Benjamin Briggs – Drowning Blue (S.S. Anne) 3:13
Piano/chiptune hybrid is evident in the first 20 seconds. Classic chthonic goodness here. 0:56 brings in some source usage. Slowdown at 1:22, and solo from there. Slight speedup at 1:44 or so. It works wonderfully. Also a bit of a solo at this point, until 2:27 when the source returns. Fadeaway at 2:54 to end.

12. Rozovian – Spume (Sea) 4:43
Oh, Rozo, what have you done here? Let’s see! Sonar blips? Nice ambience… signature for Rozovian. Everything keeps building and building up until 1:11 when more ambience comes in. What a buildup.. 1:26 brings in some source usage. I knew it was building to something! What a happy track! Scratch that, what a bipolar track. More so than Bipolar Bird from Essence of Lime… 2:12 brings in more source usage. 3:07 slows everything down, and brings back the sonar blips. 3:18 brings it all back again though. I like the tempo of this… Everything slows down for the last minute, and returns to the ambient beginnings of the track. Nice job, man!

13. Tweek – TEEM.ROKIT (Team Rocket Hideout) 4:31
Tweek, master of epic stuff, tackles the Team Rocket Hideout on his own. Err… the song, not the place. 0:20 proves the epicity of the track is easily evident. 0:44 brings in some heavy drums. What an epic track! No surprise though; it is Tweek. 1:14 or so brings a breakdown, but with all breakdowns it builds back up. Source usage is littered throughout this breakdown. 2:10 brings in some more solid source usage. 2:26 has the classic sound of the source that is probably ingrained in the memories of youth who played Red and Blue for hours on end. Gold and Silver too, for that matter. 3:00 or so shows another solo. If Team Rocket was this awesome, they just might have succeeded in their goals. Instead, they were foiled by a sixth grader. 3:50 shows that source one last time. Fades to end starting at 4:10.

14. pu_freak – Clash of the Titans [Battle (VS Trainer)] 5:55
Piano rendition of the battle theme? I’ll take it. 0:26 brings in some source usage. The original battle themes were the best. This is a pretty awesome track. On par with Rexy’s best, methinks. 1:15 or so is a bit of a solo. 1:30 brings in the source again. Speed up at 1:55 with more source. This style fits the source wonderfully… like a skintight bodysuit or something. Yeah, it’s that good of a fit. 2:50 or so has a slowdown, but 3:00 brings in more of the source. 3:25 or so breaks everything down to the simplest form… pure, slow piano at its best. This continues until 4:24 or so when it starts to build back up… slowly but surely the intensity increases with each key, each note, until 4:52 when it gets back to the source. And at 5:10 it is on the verge of exploding with the pressure and intensity. At 5:30 it explodes, and the remnants of the track fade away to the finish. Beautiful!! Bravo!!

15. Rozovian, WillRock – Blue Haze (Road to Viridian City – From Pallet) 5:21
Once again, ambience. This is also Will’s first track on the album, and his signature synth sound comes in at 0:48. This track keeps on building like so many others before it. Then again, that’s fitting for a Pokémon remix album. Have to build your monsters up too, right? 1:38 continues the building of the track… WillRock uses Source! It’s super effective! Listener takes 2:10 damage because that’s the time it begins at. 2:37 brings a hint of more to come. The title is apt; there’s certainly a haze in my ears with this song. And then at 3:00 or so, the main song cuts through the haze like a Razor Leaf. At 3:39 or so, WillRock uses Solo! It’s super effective! Yes, I’m gonna continue these jokes. With this album, it’s kinda mandatory, ya know? Everything builds up after this solo until 4:38, when a hint of the end reveals itself. 4:50 slows everything down to it’s base level. Ambience to finish. Great way to end the first disc.


1. WillRock – Champion’s Horizon (Route #26) 4:47
Starts out rocking right out the gate. Classic WillRock sound permeates this track, as with most of his other tracks. 0:29 brings in calm source usage. 0:39 is the return of the synth sound. 0:54 has the classic screaming guitar sound that is so beautiful. 1:17 brings in a solo. 1:53 or so brings more source usage. 2:12 has some piano; a rare calm spot for a WillRock track. But 2:25 proves it was just the calm before the storm, as everything intensifies tenfold from here on out. This is truly one heck of a track, and truly fantastic. 3:19 brings in some triumphant sounding guitar. 3:50 or so has a victorious solo. More calmness at 4:05 or so. 4:22 says PIKA!! And repeats a few more times until the end. Cute and unexpected.

2. Insert Rupee – Precious Metals (Goldenrod City) 2:25
Ben Briggs and halc team up once more for this song. Very evident source usage. Very happy as well; the musical glee is reminiscent of Why So Serious? More source usage at 0:58 or so, with a bit of a personalized touch. 1:12 has a solo using some classic sounds and Pokémon cries. 1:42 has another solo. It all breaks down to simplicity at 2:07, and continues until the end.

3. WillRock – Slowpoke Shuffle (Azalea Town) 3:49
Ttthhhiiisss tttrrraaaccckkk iiiissss sssslllloooowwww…. A very mellow track; very well done Will! I’m half-tempted to review this song in the conclusion as a joke, but I won’t. Source is very evient throughout this track. 2:00 brings in a slow solo… a slowlo if you will. Source usage returns to dominance at 3:00 or so. Calmness continues to the end.

4. Mattias Häggström Gerdt, GSlicer – Casino Lounge (Goldenrod Game Corner) 4:43
Anso’s electronic expertise and GSlicer’s skills combine for one trance-tacular track. Rhythm appears at 0:30 or so. Source usage at 1:45 or so. This is a very rhythm-driven song; it works though. A bit of a solo begins at about 2:10. It’s like Rain Dance and then a water move; one part emphasizes the other. Nice work. Source returns at 3:30 or so. Calmness begins at 3:58 or so, and then builds up to the finale. Solo beat at 4:18, and then fadeout until the end.

5. Chrono, Dragon Avenger – Divine Olivine (Violet City) 4:15
What a happy beat! If Deia’s involved, I’m expecting vocals to go with a beat like this. Chimes play throughout. Source at 0:32. 0:47 brings in Deia going “na-na-na” more than that recent My Chemical Romance song. This is cooler too. More source at 1:21. Short breakdown at 1:35 or so. 1:56 brings Deia back, with backup vocals by DragonAvenger. Pretty well done. 2:38 brings in some beautiful piano, that brings in even more of the source. 3:14 returns the source that had been used up until this point. Basic beat from 3:55 or so until the end, with occasional chimes.

6. DragonAvenger – Jiggly Choir (Jigglypuff’s Song) 0:42
Okay, creeped out a bit. Damn Jigglypuffs… Anyone else getting sleepy? All this track contains is Jigglypuff singing. Pretty funny for an interlude. Then again, Deia did those on the FF4 album too…

7. ProtoDome – Home Is Where the Luvdisc Is… [Hearthome City (Day)] 1:45
0:12 brings in some jazzy source. Piano is used equally as the brass instruments. A bit of a solo begins at about 1:05. This continues until the end; beautifully done, Proto. Beautiful!

8. halc – My Friend Mudkip (Dewford Town ~ Surfing) 3:13
And now for the only Generation 3 remix on the album. Begins with some nice chippiness, and a great take on the source too. 0:30 brings in some background music. Also, for the record, I do like Mudkip. This is a very happy track, and chippier than a truckload of Lay’s put through a wood chipper. 1:30 brings in the Surfing source. This is even better than Shades of Red, believe it or not. A bit of a calm spot starts at 2:15 or so. A bit like Pacifidlog Town itself. Except this doesn’t float atop a colony of Corsola. Calmness and bass to end from 2:50 or so.

9. The Orichalcon – Argent Vexemon (Ice Path) 3:33
This is a very frigid song; by that, I mean the sounds are very icy. Bells and the like are used. 0:37 starts some electronic sounds. This a very intense song; 0:57 brings in a heavy beat. More source usage at 1:23 or so. There’s a large focus on the main rhythm here. A bit of a solo begins at 2:27 or so. A buildup to the end begins after this solo; the end really begins at 3:12, when it all starts to fade to silence until the end.

10. ProtoDome – May I Have This Swords Dance? [Canalave City (Day)] 2:51
A very calm song… it starts to build right from the start until 0:23 when the source comes in. Some jazziness comes in at 0:37, taking on the source. This is a very well-balanced mix of chiptune and jazz. Chipjazz, if you will, is pretty much Proto’s specialty, it seems. Solo at 1:27 or so, and it’s beautiful. There’s some pitch bending at 1:46 or so; continues until 2:06 when a breakdown occurs. Sax-sound comes in at 2:11 and continues until the end. Piano finishes the track. Nice work by Blake the British guy who’s a bit strange…11. Fishy, Andy Jayne – Super Effective [Battle! Trainer (Johto)] 5:15
Ah, Fishy and Andy. A collab unseen since Summoning of Spirits. 0:20 brings in some epic guitar source usage. This song is even longer than Battle for the Badge; with this much rock I can’t wait to see how much it progresses. More source usage at 1:08. Some solo at 1:27 or so. Once again, it’s hard to review because all I want to do is listen. Mor source usage at 1:57 here. This song is certainly super effective against my musical tastes; I’m loving the dual guitars. More solo at 2:41, and this one sounds quite heavy. Source returns at 3:04 or so. Another solo at 3:17 that quickly returns to source usage. 3:47 brings in some more rocking on the source that is a mix between cover and solo as with so many other parts of this song. This is such a fast-paced song. Slowdown at 4:27 that brings in some piano. Slowness continues until 5:02 when it all starts to fade away.

12. WillRock, ProtoDome, halc – Bullet for My Piloswine [Route #225 (Day) ~ Ending] 4:00
Vocals at the start; Pretty rocking start. Chippiness comes in at 0:25. Also, this song is guilty of one of the most simultaneously horrid and awesome puns for a title ever. Rocking at 0:37 courtesy of Mr. Harby. More chiptunes at 0:53 or so. Heavy guitar at 1:25 or so. Solo at about 1:40. This is certainly an epic track. Piano comes in at 2:08, no doubt courtesy of Proto. Chiptunes at 2:23. More guitar at 2:33. Dual guitar sound at 2:48 or so. More awesome guitar at 3:20. Fade beginning at 3:49 or so until end.

13. pu_freak – Journey’s End (Ending) 3:09
And we come to the final track, with a very fitting title. What an aural journey it has been, too. Very awesome piano, here. Then again, what OCR album these days doesn’t have at least one epic piano track? Very slow track, but the source is highly evident. I don’t anticipate a huge buildup here, as it’s the last track, and relatively short too. But it does start to build starting at about 1:40. The finale is surely imminent. This such a beautiful track… it all starts to decline to silence at 2:30, with very calm piano dispersed throughout this final period. Ends with a classic sound effect.

Well, this album has been in the works for 4 years now, right around the time when Diamond and Pearl came out, heralding the beginning of Generation 4 and showing a grand total of 493 unique Pokémon. And now, in less than a week Black and White come out, starting off Generation 5 and bringing the total up to 649. This album has been a long time coming, and that’s a very good thing. A nice balance between jazz, chiptunes, and epic guitar-driven rock, among other things, it comes together nicely. It’s definitely worth a download, and every track has earned its place on my hard drive. A much anticipated album, and the expectations were never too high. The end result met them and exceeded them without a doubt. Great work from everyone involved, and I can’t wait to hear and review the next album, whatever it may be. The only sure thing is that it will be OCRA-0024. Until next time, game on!