OverCoat For One Night Only in Neo-Seattle

OverCoat, aka Scott Porter, is a busy man. Not only is he the host of two radio shows over on Arecibo Radio (Touhou Tuesday and his own Radio Overcoat), but he also makes music! The third entry in his self-titled series of EPs dropped on August 14, titled OverCoat 3: One Night in Neo-Seattle. Encompassing five tracks for a runtime of 16:34, this EP takes the listener on a cyberpunk adventure through a futuristic variation on Seattle. And, just as the album takes you on a tour through the city, what follows takes you on a tour through the album! You can follow along by grabbing the album here, or you can snag it later! Whichever route you take, it’s time to go!

1. Sunset 2:12
The first song starts out simply, setting the stage and the mood. At 0:21 the soundscape begins to fill out, and even more at 0:41 or so. The main rhythm at 1:21 or so is pretty nice, and really finishes making that soundscape full. I already feel like I’m on a journey of sorts. It all drops at around the two minute mark.
2. International District 4:00
This track starts off right away, with some percussives at about the 0:22 mark. Some melody comes in at 0:33 or so, adding to the feel of the song. There’s a slight breakdown at about 1:04, and it gives way at 1:14 for some cool effects. 1:36 mixes it up a bit, bringing some nice string plucking of sorts. 2:03 drops out all the extra stuff, only to return the main melody at 2:13 or so. 2:39 brings a simpler feel, one that also is clearly a herald to what will be the end of the song. Climactic parts are always fun! Now I’m getting a Deku Tree vibe from the part at 3:04 or so, as in the music that plays when he’s talking. Main melody back at 3:28, and the end begins at 3:52.
3. The Market 3:13
SYNTH! Apparently that’s what this market deals in, synths. 0:18 brings in the beat and 0:38 brings in a melody. There’s some release set to these instruments, and it sounds good. I suddenly want to play a game where this is the shopping theme. A nice change-up at about the 1:23 mark comes in, and it works well. 1:44 brings that melody back. Breakdown at 2:09 or so, and it’s this track’s climax. Main melody returns at 2:28 or so, and the fadeout begins at 3:07.
4. Broadway 3:57
Ooh I like the instrument choice on this one. Beat comes in at 0:16, and rhythm at 0:22 or so. I really enjoy the backing rhythm; it works well and keeps the momentum intact. 0:54 or so has a nice changeup, only to mix it up even more at 1:10 or so. It keeps going this way until 1:49 when the main melody returns to prominence. 2:39 brings a return to how it was at the start, truly heralding the end of the mix-up. 3:13 drops out one of the lead instruments, and leads to the fadeout at 3:47.
5. Phantom Bracelet 3:12
Ah yes, this track. Cool intro, which picks up at 0:13 or so with the first beat and some wub sounds at 0:27. Melody comes in at about 0:51, adding to the fullness of the track. This continues until 1:42, when the wubs drop out. There’s an obvious feel of a buildup, and the wubs return at 2:07. The melody vanishes at this point, and another sound vanishes at 2:35 or so. The wubs continue until 2:59, until replaced by the finale.

And with that, our night in Neo-Seattle comes to a close. I hope you enjoyed your brief visit, and you can obtain a lifetime pass to this night at whatever price you so desire (even no price at all) by clicking here. You can also find more of OverCoat’s work here and here. And you can also hear him Tuesdays from 5-7 PM PST with Touhou Tuesdays and Wednesdays from 7-9 PM PST on Radio OverCoat, only on Arecibo Radio. Until next time, game on!